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Château Musar: Singular & Special

The wines of Château Musar are very special to me for several reasons:

Firstly, due to heritage, I am very proud of this wine, a Middle Eastern wine made in a region that has been producing wine since classical times, one that has become the obsession of sommeliers and professionals around the globe, people whose eyes light up when you mention the wine, happy to wax poetic about the wine and why it’s so special.

Secondly, Musar and the Hochars are family. Growing up, there was always a bottle of Musar on the dining table, especially at dinner or Sunday lunch. Additionally, my uncle, the then Lebanese ambassador to the UK, served the wine with great pride at every cocktail and dinner party at the embassy or the residence, telling everyone who would listen about this great Lebanese wine made by his even greater friend, Serge.

And Serge Hochar was indeed great. When he passed away in a tragic swimming accident six years ago, the wine world lost a dynamic, passionate man who brought Musar out of the shadows of the Bekaa Valley and into the conscience of wine professionals in the west, but the family lost a father, a husband, an uncle…a man who loved life and his wine.

I was born in Beirut shortly before the Lebanese Civil War broke out in 1975. My immediate family stayed on, but by 1982, the situation in Beirut had become ridiculously dangerous and as the bombs dropped and snipers manned the rooftops, I was sent off to boarding school in England. Around the same time, Serge sent his wife and sons to Europe…but he stayed. He was not going to abandon the winery in Ghazir, 25 miles up the coast from Beirut, nor his vineyards in the Bekaa that was by now swarming with Israelis, Palestinians and Syrians.

As his neighbourhood was razed to the ground, Serge sat quietly in an armchair and drank an entire bottle of Musar. “Everytime a bomb hit, I would take a sip,” I heard him say. “Needless to say, I drank the whole bottle pretty quickly!”

Musar made wine every year of the war (1975-1990), missing only one vintage. Those picking the grapes did so at night as rockets and bombs lit up the sky and the trucks carrying grapes took hours to make the short trip from the vineyards to the winery, the truck drivers risking their lives trying to evade the battlegrounds the various factions had carved out in Beirut and its environs.

The wines of Château Musar may not appeal to everyone: made from a combination of cabernet sauvignon, carignan and cinsault, the wines tell stories, they are “living beings” that corral the energy of an entire season in a place that was Serge’s home, and whilst he would never admit it, his spirit and personality.

 

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The Beginning of my Wine Journey… with Anne-Claude Leflaive

About fifteen years ago, my life in New York as I knew it, ended. I had been the chief of staff to Dan Rather at CBS News and I assumed, incorrectly, that it would be easy to find myself another job. It wasn’t.

Disheartened, I decided to go back to Paris, where I grew up, in the hopes that perhaps I could reinvent myself there.

Once I settled back into the Parisian lifestyle, my now aged uncle suggested that perhaps I study wine.

I’d always been around wine. It was a constant presence at lunches, dinners and copious amounts of it were drunk at Sunday lunch, which in my house, was a command performance for the entire family.

My aunt would spend Sunday mornings in the kitchen, usually yelling at the maid, twirling her wooden spoon like a weapon; and my poor uncle would hide downstairs in his cellar to keep out of her way. Mainly, though, he loved to walk up and down the old stone floors, looking at every bottle, doing a mental inventory of everything he had, whilst quietly indulging in a glass or two before lunch. “I had to taste the wine before serving it,” he would always say.

A big fan of Bordeaux, he’d been buying wine since the late ‘40s and as such, had some of the best vintages the region offered from the years after the Second World War and through the 70’s.

I still remember the lunch when I was allowed to have my first sip of wine. I don’t remember much apart from the sensation of red velvet going down my throat. Years later, when I understood and cared a bit more about wine, my uncle told that it was a 1959 Mouton Rothschild.

I took my uncle’s suggestion, but, much to his chagrin, decided to go to Burgundy. I signed up at the CFPPA, the main wine and agricultural institute in Beaune and found myself a small apartment.

Besides academia, my first practical assignment was at Domaine Leflaive. Before starting, I thought I would go over and walk around, take it all in, as it were.

There is a small restaurant on the property that offers flights of wines and I decided to treat myself. Sitting alone, I sipped the wines taking copious notes on my impressions.

Just then, the door opened and a woman walked in. She was dressed in a barbour jacket, muddy wellingtons, but had a gorgeous coral and white silk Hermes scarf billowing around her neck. She stopped in the bar area. “Bonjour,” she said to the staff.

She was the kind of woman whose presence was so magnetic that you couldn’t help but stare. My eyes widened as she walked over to me after one of the sommeliers whispered something in her ear, inclining his head towards the corner where I sat.

I immediately got to my feet, but she indicated I sit.

“Alors?” she said standing next to my table, her arms crossed. “What do you think of the wines?”

“Well…” I stuttered. “They’re…good, I mean, excellent.

“The nose on this Meursault…and the aromas of…” I continued falling all over myself.

I was in mid-sentence when she put her hand up, telling me to be quiet.

“I…”

“Mademoiselle,” she interrupted. “Please don’t analyze the wines. Just tell me if you liked them or not.”

“Yes, Madame,” I muttered.

“You enjoyed them?”

“Of course!” I said enthusiastically.

“Then,” she smiled, her face relaxing, her arms at her side, “I am glad. If you enjoyed the wines, then I have done my job.”

I sighed with relief as she turned dramatically on her heel and walked away.

Half way across, she stopped. “By the way, I’m your new boss…Anne-Claude Leflaive.”

And that was the first time I met one of the most influential women in the winemaking world. I went on to work at Leflaive for several months, learning so much from all of them, never forgetting that ultimately, wine is meant to be enjoyed, not dissected.

 

 

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Wine & Warmth

These days, when you tell someone that you’re a wine sommelier, they inevitably register a look of awe: eyebrows raised, eyes wide, mouth gaping…

“You must be really smart,” is the opening line that invariably follows.

Thank you “Somm,” the 2013 documentary that follows four wine captains in their quest for the Master Sommelier certification.

And whilst a good sommelier indeed should know his/her wines, varietals, flavour profiles, terroirs, geology and geography, I believe the job of a good sommelier requires a few other qualifications: namely a hospitable nature, of which warmth is the most important ingredient; good instincts and some psychological insight that gives him/her the ability to read the table.

I am one who admittedly goes out to eat at restaurants a lot, and have worked in my fair share of them and therefore have come across many a sommelier…and the ones who remain indelibly etched in my mind are the ones who smiled when they greeted me, the ones that made me feel good about the wine I had chosen and gently waltzed around a few suggestions of their own, explaining in simple words why their choices might be more appealing. Sometimes I agreed and sometimes I didn’t, but either way, we both ended up extremely pleased with the choice.

Years later, I may not remember much else, but I shall not easily forget Luis Garcia de la Navarra, the owner and Master Sommelier at his restaurant that carries his name on the Calle Montalban in Madrid.

Luis is tall for a Spaniard and handsome to boot. The first time I ate there, I had picked a simple Verdejo for lunch. It was a hot summer day and he applauded my choice and came back with:

“Perhaps the Senora would like to try a wine that just arrived in my cellar?”

Of course, I agreed.

That lunch, my friend Maria Jose and I ended up drinking the most delicious Godello…it was ‘As Sortes’ from Rafael Palacios, a honey-coloured liquid made from grapes that came from Palacios’ seven oldest plots. It wasn’t even that much more expensive than what we had originally picked, but it was so much more interesting than the Verdejo, and way more complex and layered.

And Luis suggested a simple plate of Pata Negra Jamon to start out with and rounds of juicy tomatoes drenched in a spicy green olive oil and warm bread to go with.

I must say it was probably one of the best lunches I’ve ever had.

And Luis…well, he won my confidence with his smile and twinkling eyes.

Then of course, there are the sommeliers who take themselves far too seriously and when they approach a table, they live up to their reputation of being unapproachable and borderline arrogant. Why? I’ve often wondered. Why be in the hospitality world if you’re not hospitable? Why can’t they smile. Why so stiff? In fact, I recently bumped into one who came off as quite rude. After all, it’s about the wine, not about them; and isn’t it all about the guest and helping their experience to be an unforgettable one?

Somm Time in New York City is a wine bar where a warm smile and hospitality go hand in hand with a spectacular wine list…the kind of list that wine aficionados might put up with a dour, dull sommelier, just for the pleasure of drinking the bottles curated so thoughtfully by Maria Rust. But in fact, you get it all at Somm Time: the warmth and the wine.

And with that combination, you just can’t lose.

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The Art of Hospitality

This summer got me thinking seriously about restaurant hospitality.

I spent a grueling four months as the wine director, sommelier and special events guru at the Hamptons outpost of a New York City restaurant that has been around for three decades and I noticed that the time-honoured tradition of hospitality isn’t quite… ‘hospitable’ … but then again, it’s like most everything else these days: a watered-down version of what it really is supposed to be.

Hospitality has become a business and restaurants are now ruled by accountants and their spread sheets rather than the convivial hosts who made you feel like the king or queen of the world.

A quarter of a decade ago, there used to be a small restaurant on the upper east side called Café Trevi. Charming and brick-walled, it sat no more than 40 people. It wasn’t particularly chic or posh or even sexy, tucked away as it was on First Avenue…not Madison, nor even on a tree-lined street between Park and Lexington…no, it was on the Avenue with a nondescript entrance.

I stumbled upon the restaurant completely by accident. It was late September and the skies suddenly opened and a monsoon-like downpour began. With no umbrella, not a cab in sight and several very long blocks from the subway, I took refuge under a yellow awning. Minutes ticked by and I was slowly getting drenched, my Jimmy Choos destroyed. I turned around and realized I was standing by a restaurant and looked curiously at the menu. A drink? I thought…and at the very least, a chance to dry off.

I walked in and was taking off my raincoat when,

“Signora!” a male voice with a lilting Italian accent said behind me.

I turned and saw a very dapper man in his late 50s, dressed in a grey suit with a blush-pink shirt and a purple tie and matching silk pocket square peeking out of his breast pocket, smiling at me as though I were his long-lost daughter.

I grinned.

“Allow me please,” he said helping me with my wet bag, my raincoat, handing it to the bored coat-check girl with too much makeup.

“Now…” he said, rubbing his hands together, “how about a nice plate of pasta and a glass of wine?”

And despite the fact that I was on my way to meet my husband for dinner, his suggestion sounded so perfect that I found myself nodding, thinking that I ought to just call Duncan and have him meet me here instead of the overpriced French bistro where we had reservations.

And that was my introduction to Primo Laurenti, the owner and maître d’ of Café Trevi where I ended up about three times a week until it closed.

I went to the restaurant not for the ambiance or the “scene,” because admittedly, there wasn’t much. I went, because Primo looked after me from the moment I walked in: he honestly made me feel like I was, in that moment, the most important person in the world to him…his words and gestures warm and comforting, never cloying or overbearing. He knew when to speak and when to melt away. And every single time, he seemed to know exactly what I wanted, when it came to food and wine, always suggesting delicious dishes that he would have the cook whip up.

I watched him with his other clients. He glided through the room, danced elegantly around tables, courting them, talking about food, wine or anything else. When the meat arrived, he would be there to debone it, or the fish, to filet it, or the sauce that he spooned.

I took everyone there. At the time, I was working for CBS News and one by one, Dan Rather, Bob Schieffer, Mike Wallace, Bob Simon and Ed Bradley…all went to Café Trevi.

Primo had a gift…a very special one…he was the consummate host. It was a gift that cannot be bought or taught. You either have it or you don’t.

A few years ago, after leaving CBS News, I decided to study wine and became a wine writer and sommelier. Now, in the hospitality game myself, I often think about Primo and how he made me feel and I try to do the same when I talk to people about wine: warm and humble without an ounce of pretension. I don’t want to scare people about wine, I want them to enjoy it as much as I do. My greatest satisfaction comes from the enjoyment people get from trying a wine I have suggested.

Good hospitality creates memories and at the of the day, isn’t that what makes us all richer?