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nyc sommelier

1024 715 MAHA KIMBERLY AKHTAR

The Classics: Apicius & Aglianico

I have always been a history buff.

Packed off to boarding school in England at the age of 7, my saving grace growing up were my history classes that started with Egyptian pharaohs and moved through classical Greece and Rome. Interestingly, my teacher, Kenneth Woodall, was a bit of a gourmand, and I remember quite a few of the classes focusing on the food and wine of the ancient world.

I clearly recall the story of a baker in A.D. 79 in Pompeii who had placed a few loaves of bread in his oven. While baking, Mount Vesuvius erupted, raining down ash and stone that would extinguish life from the town, but enshrine its final moments for us to discover thousands of years later. When he showed us photographs of the carbonized loaves from the oven that were discovered during an excavation, with their shape and texture intact, my jaw literally dropped. This was like a portal into the past.

Decades later, when I began to study wine seriously, it was the potency of its history that attracted me…perhaps far more than the wine itself. And as luck would have it, studying wine in Beaune, the very heart of Burgundy, I was surrounded by the stories of monks and cardinals and chevaliers and kings and their favourite wines.

A few years ago, whilst expanding my wine knowledge beyond France, I ended up quite taken by the wines of Campania, the Southern Italian region that encompasses the ruins of Pompeii and Paestum, the sybaritic Amalfi Coast’s towns of Positano and Ravello, Mt. Vesuvius, Capri, and the fascinating city of Naples.

Around the same time, someone presented me with a copy of a first century Roman cookbook called Apicius.

“Let’s try making some of these recipes,” I suggested to a good friend of mine.

“Are you mad?” she replied. “You want to make 2000 year-old recipes?”

“Why not?” I replied.

“But what about the ingredients? They probably don’t exist.”

“We’ll improvise,” I shrugged.

So we invited a few friends and threw a dinner party. On the menu were mussels, sea bream, duck in a red wine sauce, turnips, homemade bread and olive oil for dunking, and for dessert we made a cheesecake of goat cheese and figs, which the book said was used during a sacrificial ceremony….!

For wine, we tried to find wines that were made as close to Pompeii as possible. Back when Pompeii was thriving, the Pompeiians produced a red wine that was exported in abundance, but there wasn’t much information we were able to dig up on that.

So we focused on Campanian wines that are all made from unique, local varietals: the most prevalent reds are Aglianico , Piedirosso, Pallagrello Nero and Casavecchia. The dominant whites are Coda di Volpe, Greco di Tufo and Falanghina, all blended in Lacryma Christi (Tears of Christ), the region’s evocatively named and well-known wine.

The pairing of the food with these wines was outstanding, suggesting the very close relationship between the two starting thousands of years ago.

The dinner party was quite the success…for many reasons: it was truly different. It was a pairing of food and wine in modern times to what the Pompeiians would have done a couple of millennia ago as they reclined in their dining chairs and feasted, the same way we did, except of course we all sat upright at a table.

But much like the Romans, our tastes are still linked with what we see and hear around us: a memorable dinner is made up of food, wine…and the people we are with and finally the ambiance. To the Romans, eating and drinking was a celebration of life. In fact, the Latin word for dinner party is “convivium…” or living together. And with death being the inevitable outcome of life, they seized every day and enjoyed it.

We ought to take a page out of their book. Carpe Diem and mean it.

 

 

 

 

640 640 MAHA KIMBERLY AKHTAR

Travelling Through the Loire Valley

Many years ago, driving through the Loire Valley, I was astonished at how many gorgeous buildings seem to appear out of nowhere…the Cathédrale de Chartres was one such building that suddenly appeared as I rounded a bend, towering regally above the tall field of wheat. Another such building appeared on the right bank of the Maine River flowing through the town of Angers as I drove slowly, one eye on a map and the other on careening scooters, trying to find my hotel.

I stopped and got out, staring up in awe at the ecclesiastical grandeur of the Hôpital Saint Jean d’Angers, inside which was the Hôtel-Dieu d’Angers, the town’s infirmary founded in the year 1153 by Etienne de Marsay, Henry II’s treasurer. Henry Plantagenêt, then King of England and Duke of Anjou, commissioned the hospital as atonement for his murder of Thomas Beckett, Archbishop of Canterbury.

What does this have to do with wine, you may ask?

Well, where medieval healers were concerned, wine was always present. Wine was used for medicinal purposes, which is why so many vineyards were planted around the various Hôtels-Dieu around France during the Middle Ages.

As such, a few years after the Hôpital Saint Jean d’Angers was built and functioning, the monks who ran it established vineyards on the left bank of the Loire and that was the beginning of the Château de Bois-Brinçon in a hamlet known as Blaison-Saint-Sulpice.

The year was 1219, making the vineyard one of the oldest in the Loire Valley if not the oldest.

Six centuries later, as the power of the Church and aristocracy declined, and after the French Revolution of 1789, the property was sold off to the bourgeoisie and came into the hands of the  Cailleau Family in which it remains today.

Xavier Cailleau is the current owner and winemaker who took over from his father in 1991.

“At the beginning, it was a real challenge to return to winemaking and the desire to make wines with a terroir identity,” Xavier acknowledges. “It was a steady evolution, first to organics, then biodynamics. And the vines responded and the grapes began to offer the true face of the soil.”

The wines of Bois-Brinçon are vinified by terroir. “The Anjou region is a mosaic of very varied and rich terroirs,” Xavier explains. “Being at the junction of the Armorican Massif and the Paris Basin, the Bois-Brinçon vineyards offer a rare diversity of soils and landscapes spread over six communes and eight different terroirs.”

Intervention in the cellar is minimal. “We accompany the wines without useless and traumatic interventions,” Xavier says, “like a parent who sees his children grow up and accompanies them so they take the right path.”

I first tasted the wines of Bois-Brinçon at a small bistro not far from Domaine, but I wasn’t a “wine person” back then…just a tourist but they stayed with me.

Five years ago, at a Christmas lunch with two other sommeliers, one of whom brought a bottle of “Les Saules de Montbenault,” one of their cuvées, I was blown away: the chenin blanc was laser sharp and sang from whence it came. And the red…the cabernet franc could not have come from anywhere, but this particular corner of Anjou.

 

644 794 MAHA KIMBERLY AKHTAR

The Beginning of my Wine Journey… with Anne-Claude Leflaive

About fifteen years ago, my life in New York as I knew it, ended. I had been the chief of staff to Dan Rather at CBS News and I assumed, incorrectly, that it would be easy to find myself another job. It wasn’t.

Disheartened, I decided to go back to Paris, where I grew up, in the hopes that perhaps I could reinvent myself there.

Once I settled back into the Parisian lifestyle, my now aged uncle suggested that perhaps I study wine.

I’d always been around wine. It was a constant presence at lunches, dinners and copious amounts of it were drunk at Sunday lunch, which in my house, was a command performance for the entire family.

My aunt would spend Sunday mornings in the kitchen, usually yelling at the maid, twirling her wooden spoon like a weapon; and my poor uncle would hide downstairs in his cellar to keep out of her way. Mainly, though, he loved to walk up and down the old stone floors, looking at every bottle, doing a mental inventory of everything he had, whilst quietly indulging in a glass or two before lunch. “I had to taste the wine before serving it,” he would always say.

A big fan of Bordeaux, he’d been buying wine since the late ‘40s and as such, had some of the best vintages the region offered from the years after the Second World War and through the 70’s.

I still remember the lunch when I was allowed to have my first sip of wine. I don’t remember much apart from the sensation of red velvet going down my throat. Years later, when I understood and cared a bit more about wine, my uncle told that it was a 1959 Mouton Rothschild.

I took my uncle’s suggestion, but, much to his chagrin, decided to go to Burgundy. I signed up at the CFPPA, the main wine and agricultural institute in Beaune and found myself a small apartment.

Besides academia, my first practical assignment was at Domaine Leflaive. Before starting, I thought I would go over and walk around, take it all in, as it were.

There is a small restaurant on the property that offers flights of wines and I decided to treat myself. Sitting alone, I sipped the wines taking copious notes on my impressions.

Just then, the door opened and a woman walked in. She was dressed in a barbour jacket, muddy wellingtons, but had a gorgeous coral and white silk Hermes scarf billowing around her neck. She stopped in the bar area. “Bonjour,” she said to the staff.

She was the kind of woman whose presence was so magnetic that you couldn’t help but stare. My eyes widened as she walked over to me after one of the sommeliers whispered something in her ear, inclining his head towards the corner where I sat.

I immediately got to my feet, but she indicated I sit.

“Alors?” she said standing next to my table, her arms crossed. “What do you think of the wines?”

“Well…” I stuttered. “They’re…good, I mean, excellent.

“The nose on this Meursault…and the aromas of…” I continued falling all over myself.

I was in mid-sentence when she put her hand up, telling me to be quiet.

“I…”

“Mademoiselle,” she interrupted. “Please don’t analyze the wines. Just tell me if you liked them or not.”

“Yes, Madame,” I muttered.

“You enjoyed them?”

“Of course!” I said enthusiastically.

“Then,” she smiled, her face relaxing, her arms at her side, “I am glad. If you enjoyed the wines, then I have done my job.”

I sighed with relief as she turned dramatically on her heel and walked away.

Half way across, she stopped. “By the way, I’m your new boss…Anne-Claude Leflaive.”

And that was the first time I met one of the most influential women in the winemaking world. I went on to work at Leflaive for several months, learning so much from all of them, never forgetting that ultimately, wine is meant to be enjoyed, not dissected.